It’s always a little weird writing reviews on my personal blog, because I’m well aware of significantly more talented (link to Meredith) people out there who talk about exactly the kind of movies I like to watch. But here goes anyway.
Innerspace is a really, really cool movie. I don’t mean it’s cool because I like it, or because it’s clever or ironic. In fact, in many ways the movie is the antithesis of cool: Martin Short is a funny guy but he isn’t cool. Joe Dante is crazy talented and has a knack for horror comedies that get creepy fast, but he’s not “cool” either.
The movie does have Dennis Quaid and Meg Ryan, doing their whole “early phase of sure to be massive star” career thing, but they’re kept more or less under control. Meg Ryan is funny but she’s constantly (and understandably) being upstaged by Short. Dennis Quaid spends most of the movie in a pod. So, the movie really isn’t “cool” on any kind of marketing synergy kind of a level. Not that it bothers me. The problem was, way back when in the 1980s, when men were men and desktop computers were only as good as the three digits people used to describe them, Innerspace failed to deliver on the box office front.
So, Innerspace ends up being one of those weird genre comedies that never got anywhere despite being awesome. I mean, ridiculously awesome. It’s ostensibly a sci-fi/horror/comedy hybrid that in theory would be a bit nerd-centric, but a lot of people like the film. My dad introduced me to this movie. It’s difficult to find people who’ll watch the movie and refuse to like it. Even when it goes completely off the deep end, it’s still funny.
Bad guys with ludicrous characteristics, like a prosthetic hand with various evildoing attachments or a penchant for wearing cowboy hats? Check. Martin Short being completely ridiculous? Check. A weird, funnier version of the Total Recall disguise scene? Check.
Joe Dante took a comedy and inserted all these weird little horror riffs too. Creepy bad guys later in the movie that are too ridiculous to be taken seriously and gory special effects that don’t come off as too sickening because they’re inside the body of Martin Short’s character, whose behaviour doesn’t give you any time to stop and think “hey, that was gross.”
I really like Innerspace because of what it does with all these different characteristics. It was made as a popular film but it’s got weird independent quirks that make it a much better film than it would have been otherwise. The film does things that films arguably shouldn’t do, and it’s a better piece of work as a result. The whole thing hangs together as something that somebody cared about, and worked to make an actual piece of work that stood on its own. Then it flopped in the box office. In a world where Transformers 2 made a fortune.
So, fight the good fight. Watch Innerspace. Just watch it.
It’s always a little weird writing reviews on my personal blog, because I’m well aware of significantly more talented people out there who talk about exactly the kind of movies I like to watch. But here goes anyway.

Innerspace is a really, really cool movie. I don’t mean it’s cool because I like it, or because it’s clever or ironic. In fact, in many ways the movie is the antithesis of cool: Martin Short is a funny guy but he isn’t cool. Joe Dante is crazy talented and has a knack for horror comedies that get creepy fast, but he’s not “cool” either.
The movie does have Dennis Quaid and Meg Ryan, doing their whole “early phase of sure to be massive star” career thing, but they’re kept more or less under control. Meg Ryan is funny but she’s constantly (and understandably) being upstaged by Short. Dennis Quaid spends most of the movie in a pod. So, the movie really isn’t “cool” on any kind of marketing synergy kind of a level. Not that it bothers me. The problem was, way back when in the 1980s, when men were men and desktop computers were only as good as the three digits people used to describe them, Innerspace failed to deliver on the box office front.
So, Innerspace ends up being one of those weird genre comedies that never got anywhere despite being awesome. I mean, ridiculously awesome. It’s ostensibly a sci-fi/horror/comedy hybrid that in theory would be a bit nerd-centric, but a lot of people like the film. My dad introduced me to this movie. It’s difficult to find people who’ll watch the movie and refuse to like it. Even when it goes completely off the deep end, it’s still funny.
Bad guys with ludicrous characteristics, like a prosthetic hand with various evildoing attachments or a penchant for wearing cowboy hats? Check. Martin Short being completely ridiculous? Check. A weird, funnier version of the Total Recall disguise scene? Check.

The Cowboy
Joe Dante took a comedy and inserted all these weird little horror riffs too. Creepy bad guys later in the movie that are too ridiculous to be taken seriously and gory special effects that don’t come off as too sickening because they’re inside the body of Martin Short’s character, whose behaviour doesn’t give you any time to stop and think “hey, that was gross.” It helps that the special effects are really, really cool, and the film won an Academy Award in the category. It’s well deserved, and watching the movie made me wish for a time when creative people were allowed to just go nuts with their ideas instead of being encouraged to think of all the cool things we can do with computer effects.

I'm pretty sure this movie was a lot of fun to work on.
I really like Innerspace because of what it does with all these different characteristics. It was made as a popular film but it’s got weird independent quirks that make it a much better film than it would have been otherwise. The film does things that films arguably shouldn’t do, and it’s a better piece of work as a result. The whole thing hangs together as something that somebody cared about, and worked to make an actual piece of work that stood on its own. Then it flopped in the box office. In a world where Transformers 2 made a fortune.
So, fight the good fight. Watch Innerspace. Just watch it.